Correspondence (algae), 2022
Sucrose, Sage, Spiirulina
35 x 12 x 14 cm
Correspondence, 3/4, 2021 (blue)
Phthalocyanine Blue BN CuPc, Sucrose C12H22O11
68 x 76 x 12 cm (left), 43 x 28 x 10 cm (middle), 86 x 74 x 11 cm (right)
Installation view at APT Gallery, London
Correspondence, 3/4, 2021 (blue)
Phthalocyanine Blue BN CuPc, Sucrose C12H22O11
68 x 76 x 12 cm (left), 43 x 28 x 10 cm (middle), 86 x 74 x 11 cm (right)
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44/0/45/0 to 99/93/84/99
C-Print matt on Fuji Crystal Archive Paper
160 x 120 cm
Installation view at APT Gallery, London with works by Luke Tomlinson (left) and Gabriella Giroletti (middle)
Correspondence 2/4, 2021 (red)
Betanin C24H26N2O13, Sucrose C12H22O11, Paraffin CnH2n+2
115 x 86 x 8 cm
Correspondence 1/4, 2021 (yellow)
Sucrose C12H22O11
83 x 82 x 5 cm
Correspondence 4/4, 2021 (green)
Phthalocyanine Green, Sucrose C12H22O11
121 x 152 x 9 cm
Correspondence, 3/4, 2021 (blue)
Phthalocyanine Blue BN (CuPc), Sucrose C12H22O11
detail shot
Correspondence is a sculpture series using industrial sugar processed towards the stage of Hard Crack – a transition state in the caramelization process of sugar where the solution reaches its lowest point in the concentration of water, exactly 0,01 percent. It is the moment when sugar can be both – highly dangerous and extremely beautiful – an entropic existence, fugitive and fading, which tells us energy is more easily lost than contained. Correspondence offspring a world of indeterminate possibilities concertinaed by incomprehensible desires. In this space of unveiling, palpable emotions and experiences, the objects cease to exist. Forever shifting, sliding, slipping. Actions that have no end, processes of no return, leaving behind a porous and empty body. Space can be approached, but time is far away.
The work was included in the Future Material Bank of the Jan van Eyck Academy in 2022.
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